The work is deeply influenced by the legacy of Frederick Douglass, a pivotal figure in American history. Douglass, an abolitionist and intellectual, understood the power of the portrait in shaping public perception. He was the most photographed American of the 19th century, deliberately using his portraits to counter the prevalent, derogatory stereotypes of Black people. His dignified and powerful images served as a testament to the humanity and individuality of African Americans, challenging the discriminatory narratives of the time.

These paintings and drawings draw awareness to the historical context in which these early photographs of Black Americans were taken. Often, these images were staged in studios with artificial backdrops of European parlors or nature scenes, contrasting sharply with the harsh realities of their subjects' lives. 

By reclaiming these photographs, the work not only pays homage to these individuals but also engages in a dialogue with the past, echoing Douglass's use of imagery to redefine the African American identity. The series becomes a powerful commentary on representation, identity, and the enduring impact of visual narratives in shaping historical and contemporary perceptions of race and dignity.